Impact Of Minimalism Art Movement Has On Art Community During 1960s Research Paper

Impact Of Minimalism Art Movement Has On Art Community During 1960s -1970s - Research Paper Example There cannot be any design without a designer; the individuals who trail blazed in this field or whose works, in the strict sense of the word, can be termed as minimalistic art are people like Donald Judd, Carl Andre, Robert Morris, Sol Lewitt and Dan Flavin (Marzona p7). What then is minimalism? Strickland, 2000, 7 defines minimalism as a movement, primarily in post war America towards an art-visual, musical, literary or otherwise- that makes its statements with limited if not the fewest possible resources. Though as Marzona argues, the term minimalism is confined to the visual arts with a major focus on painting. The movement did make a profound a impression on art that was to be seen years later. In artistic sense, it implies using limited materials to create a desired effect, which is, pure and simple. This is created by eliminating the non-essentials features, firms or concepts. In general, minimalism art movement does include synopsis, key ideas, artworks, artist about resource s. This study therefore focuses on how the minimalists, even though they did not want to be labeled as such, impacted on art and the art community with their minimalistic art activities. The minimalism movement did start in the 1960s, as earlier stated, in the United States and the process influenced the modern art as exemplified in such works as painting, sculpture and installation. During the time of its inception, minimal artists desired to have their respective artworks to be enjoyed without disruptions of the conventional aesthetic field. They focused on descriptions like color, and geometric structures and shapes. It is worth noting that the work of the minimalists did transform not only the way art was being viewed but it also elevated the social status of the discipline in the society. A look at each of the minimalists’ works confirms and sheds more light into the elements and purpose of the minimalism art movement. Donald Clarence Judd is one among the leading artist s who contributed immensely to this field. Scheldahi et al p 212 confirms that Judd is the renowned figure behind minimalism, even though he renounced the label and preferred to be known as the ‘maker of objects’ The man credited for having revolutionized art during his time especially in the 1960s and left an impression which was to stay long after he had gone. A Masters Degree graduate in Art History from the University of Columbia, Judde’s work of art has been described as one which is unique and as Scheldahi et al puts it, his work is unfailing elegance even lapidary in a grandiose sort of a way. The major contributions of Jude, notes Arts Foundation, were in the forms of ‘stacks’, ‘boxes’ and ‘progressions’. One such work is untitled, which Arts Connected 2012 confirms became Jude’s trademark. It was simple and austere. Through this, he challenges the viewer to consider the concepts of boredom, monotony and repet ition. He used an artistic style that moved away from illusionism but focused on constructions in which materiality is a key central part to the owners work. Thus Jude’s work of art would be described as one which was created using real materials in real space (Arts Connected 2012). His works bring closer home the understanding of the relationship between art and space. Marzoma notes, as does other writers in this field, the transition of Jude from being a painter to a sculptor. Concrete, plywood, galvanized steel and aluminum are some of the key ingredients in Jude’s recipe in articulating an effective minimalist sculptor. The Green Gallery exhibitions of Jude’s pieces of art work in 1963 appear to have catapulted him to the limelight of the international scene as a renowned minimalist. 12th of February 1994